What can the brown earth do,
Drenched and dripping through
To the heart, and dazzled by the sight
Of the light
That cometh after rain?
What can the hurt life do,
Healing through and through,
Caught and captured by the slow increase
Of the peace
That cometh after pain?
I would not miss the flower
Budded in the shower
That lives to lighten all the wealthy scene
Where rain has been,
That blossoms after pain!
Oh, when I would have loved you, Dear,
The sun of winter hung more near;
Yet not so sweet, so sweet, so sweet,
The wild-rose reddening at my feet.
Your lips had learned a golden word,
You sang a song that all men heard,
Oh, love is fleet, the strain is long.
Who stays the singer from her song?
Across my path the red leaves whirled.
Dared I to kneel with all the world?
How came I, then, to clasp you, Sweet,
And find a woman at my feet?
My Dreams Are Of The Sea
My dreams are of the Sea.
All night the living waters stepped
Stately and steadily. All night the wind
Conducted them. With forehead high, a rock,
Glittering with joy, stood to receive the shock
Of the flood-tide. I saw it in the mind
Of sleep and silence. When I woke, I wept.
My dreams are of the Sea.
But oh, it is the Sea of Glass!
I met that other tide as I desired.
Alone, the rock and I leaned to the wave,-
A foolish suicide, that scooped its grave
Within the piteous sand. Now I am tired.
It died and it was buried. Let me pass.
An April Gust
It shall be as it hath been.
All the world is glad and green-
Hush! Ah, hush! There cannot be
April now for you and me.
Put your finger on the lips
Of your soul; the wild rain drips;
The wind goes diving down the sea;
Tell the wind, but tell not me.
Yet if I had aught to tell,
High as heaven, or deep as hell,
Bent the fates awry or fit,
I would find a word for it.
Oh, words that neither sea nor land
Can lift their ears to understand!
Wild words, as dumb as death or fear,
I dare to die, but not to hear!
Coldly the night-wind shivers on the hill-top,
Cold crawls the pale-faced fog from off the sea;
Tossed by the one, and blinded by the other,
Turn I my late steps longing unto thee!
Warm as thy glad hand, held in silence towards me,
Shines out thy window's light across the lea;
Warm as a flower waiting for the south-wind,
So waits thy sweet face sheltered there for me.
Wild as the gale, and like the mist pervading
The soul of the dark night, and the soul of me,
Hoping or hopeless, for living or for dying,
Turn I my late love forever unto thee!
Incompletion
Perhaps the bud lost from the loaded tree
The sweetest blossom of the May would be;
Or wildest song that summer could have heard
Is dumb within the throat of the dead bird.
The perfect statue that all men have sought
May in some crippled hand be hid, unwrought.
Which of our dearest dead betook his flight
Into the rose-red star that fell last night?
The words forever by thy lips unsaid
Had been the crown of life upon thy head.
The splendid sun of all my days might be
The love that I shall never give to thee.
Good-By
God be with you! through my losing
And my grieving, shall I say?
Through my smiling and my hoping,
God be with you, friend, to-day!
Somewhere, on a Shore of Silver,
(God be with you on the way!)
In a sunlight sifted richly
From a thousand skies of May,
In a dream of June's white roses,
In a chant of waters low,
In a glory of red maples,
A hush of moonlight upon snow,
In the meanings of the sunrise,
In the heart of summer rain,
In the soul of purple hazes,
We will not say good by again.
But the tears dash through my dreaming,
And the thing I fain would say
Falters into this,-this only:
God be with you till that day!
All The Rivers
'All the rivers run into the sea.'
Like the pulsing of a river,
The motion of a song,
Wind the olden words along
The tortuous turnings of my thoughts whenever
I sit beside the sea.
'All the rivers run into the sea.'
O you little leaping river,
Laugh on beneath your breath!
With a heart as deep as death,
Strong stream, go patient, grave, and hasting never,-
I sit beside the sea.
'All the rivers run into the sea.'
Why the passion of a river?
The striving of a soul?
Calm the eternal waters roll
Upon the eternal shore. At last, whatever
Seeks it-finds the sea.
'All the rivers run into the sea.'
O thou bounding, burning river,
Hurrying heart! I seem
To know (so one knows in a dream)
That in the waiting heart of God forever,
Thou too shalt find the sea.
Learning To Pray
My inmost soul, O Lord, to thee
Leans like a growing flower
Unto the light. I do not know
The day nor blessed hour
When that deep-rooted, daring growth
We call the heart's desire
Shall burst and blossom to a prayer
Within the sacred fire
Of thy great patience; grow so pure,
So still, so sweet a thing
As perfect prayer must surely be.
And yet my heart will sing
Because thou seem'st sometimes so near.
Close-present God! to me,
It seems I could not have a wish
That was not shared by thee;
It seems I cannot be afraid
To speak my longings out,
So tenderly thy gathering love
Enfolds me round about;
It seems as if my heart would break,
If, living on the light
I should not lift to thee at last
A bud of flawless white.
And yet, O helpless heart! how sweet
To grow, and bud, and say:
The flower, however marred or wan,
Shall not be cast away.
The Ermine
I read of the ermine to-day,
Of the ermine who will not step
By the feint of a step in the mire,-
The creature who will not stain
Her garment of wild, white fire;
Of the dumb, flying, soulless thing
(So we with our souls dare to say),
The being of sense and of sod,
That will not, that will not defile
The nature she took from her God.
And we, with the souls that we have,
Go cheering the hunters on
To a prey with that pleading eye.
She cannot go into the mud!
She can stay like the snow, and die!
The hunters come leaping on.
She turns like a heart at bay.
They do with her as they will.
… O thou who thinkest on this!
Stand like a star, and be still,
Where the soil oozes under thy feet.
Better, ah, better to die
Than to take one step in the mire!
Oh, blessed to die or to live,
With garments of holy fire!
Apple-Blossoms
Cold Care and I have run a race,
And I, fleet-foot, have won
A little space, a little hour,
To find the May alone.
I sit beneath the apple-tree,
I see nor sky nor sun;
I only know the apple-buds
Are opening one by one.
You asked me once a little thing,-
A lecture or a song
To hear with you; and yet I thought
To find my whole life long
Too short to bear the happiness
That bounded through the day,
That made the look of apple-blooms,
And you, and me, and May!
For long between us there had hung
The mist of love's young doubt;
Sweet, shy, uncertain, all the world
Of trust and May burst out.
I wore the flowers in my hair,
Their color on my dress;
Dear Love! whenever apples bloom
In Heaven, do they bless
Your heart with memories so small,
So strong, so cruel-glad?
If ever apples bloom in Heaven,
I wonder are you sad?
Heart! yield thee up thy fruitless quest
Beneath the apple-tree;
Youth comes but once, love only once,
And May but once to thee!
Rafe's Chasm
CAPE ANN, SEPTEMBER SURF. 1882.
White fire upon the gray-green waste of waves,
The low light of the breaker flares. Ah, see!
Outbursting on a sky of steel and ice,
The baffled sun stabs wildly at the gale.
The water rises like a god aglow,
Who all too long hath slept, and dreamed too sure,
And finds his goddess fled his empty arms.
Silent, the mighty cliff receives at last
That rage of elemental tenderness,
The old, omnipotent caress she knows.
Yet once the solid earth did melt for her
And, pitying, made retreat before her flight;
Would she have hidden her forever there?
Or did she, wavering, linger long enough
To let the accustomed torrent chase her down?
Over the neck of the gorge,
I cling. Lean desperately!
He who feared a chasm's edge
Were never the one to see
The torment and the triumph hid
Where the deep surges be.
I pierce the gulf; I sweep the coast
Where wide the tide swings free;
I search as never soul sought before.
There is not patience enough in all the shore,
There is not passion enough in all the sea,
To tell my love for thee.
What The Shore Says To The Sea: Ebb-Tide
Old, old,
Centuries old,
How old a love is, who can say?
It is an ancient day
Since thou and I wert wed.
The orbéd sky bent down,
A fiery, scornful crown,
Not craven pale as now,
Live-red to bind thy brow,
Crested red and lonely
Only
To coronet thy head.
Thou, I,
Beneath His eye,
Existed solitary, grand.
O only life! the life of sea and land!
All puny heritage
Of puny love and loss.
Came mimic after us;
Our mighty wedlock meant
More than their supplement.
Ere these, we perfect were,
And are,
In pain and privilege.
My own true-hearted!
Since first He parted
Thee from me,
Behold and see
How dreary, mute,
Bound hand and foot,
Stretched, starved, I lie!
I hear thee stepping by,
And weep to see
Thee yearn to me.
Bound by an awful Will
Forever and forever thou dost move
An awful errand on.
O Love!
Steal up and say,-is there below, above;
In height or depth, or choice or unison,
Of woes a woe like mine,-
To lie so near to thine,
And yet forever and forever to lie still!
Gloucester Harbor
One shadow glides from the dumb shore,
And one from every silent sail.
One cloud the averted heavens wear,
A soft mask, thin and frail.
Oh, silver is the lessening rain,
And yellow was the weary drouth.
The reef her warning finger puts
Upon the harbor's mouth.
Her thin, wan finger, stiff and stark,
She holds by night, she holds by day.
Ask, if you will. No answer makes
The sombre, guarded bay.
The fleet, with idle canvas hung,
Like a brute life, sleeps patiently.
The headlights nod across the cliff,
The fog blows out to sea.
There is no color on the tide,
No color on the helpless sky;
Across the beach,-a safe, small sound-
The grass-hid crickets cry.
And through the dusk I hear the keels
Of home-bound boats grate low and sweet.
O happy lights! O watching eyes!
Leap out the sound to greet.
O tender arms that meet and clasp!
Gather and cherish while ye may.
The morrow knoweth God. Ye know
Your own are yours to-day.
Forever from the Gloucester winds
The cries of hungry children start.
There breaks in every Gloucester wave
A widowed woman's heart.
What The Sea Says To The Shore: Flood-Tide
O Sweet!
I kiss thy feet.
It is permitted me
So much to keep of thee,
So much to give to thee.
Reverently
I touch thy dusky garments' hem.
Thy dazzling feet lie bare;
But now the moonlit air,
In hurrying by, did gaze at them.
Who can guess
The temper of a love denied?
See! to my lips I press,-
I press and hide
Thy sweet
Sad feet,
And cover them from sight of all the world.
Till thou and I were riven apart,
Never was it known
By any one
That storms could tear an ocean's heart.
Nor shall it be again
That storms can cause an ocean pain.
But when He said:
'No farther, thus far, shalt thou go;
And here,
In fear,
Shall thy proud waves be stayed,'-
Raging, rebel, and afraid,
What could shore or ocean do?
Fling down thy long loose hair
For a little share
Of the little kiss I still may bring to thee.
O Love! turn unto me!
The hours are short that I may be
Rich though so scantily,
Blest although so broken-hearted.
Sweet my Love! when we are parted,
When unheard orders bid me go
Obedient to an unknown Will,
The pain of pains selects me so,
That I must go, and thou lie still.
While yet my lips may hunger near thy feet,
Turn to me, Sweet!
The Answer
'That we together may sail,
Just as we used to do.'
Carleton's Ballads
And what if I should be kind?
And what if you should be true?
The old love could never go on,
Just as it used to do.
The wan, white hands of the waves
That smote us swift apart,
Will never enclasp again,
And draw us heart to heart.
The cold, far feet of the tides
That trod between us two,
Can never retrace their steps,
And fall where they used to do.
Oh, well the ships must remember,
That go down to the awful sea,
No keel that chisels the current
Can cut where it used to be.
Not a throb of the gloom or the glory
That stirs in the sun or the rain,
Will ever be that gloom or glory
That dazzled or darkened-again.
Not a wave that stretches its arms,
And yearns to the breast of the shore,
Is ever the wave that came trusting,
And yearning, and loving, before.
The hope that is high as the heavens,
The joy that is keen as pain,
The faith that is free as the morning,
Can die-but can live not again.
And though I should step beside you,
And hand should reach unto hand,
We should walk mutely-stifled-
Ghosts in a breathless land.
And what if I should be kind?
And though you should be true?
The old love could never, never
Love on as it used to do.
The Songs Of Seventy Years
Master! let stronger lips than these
Turn melody to harmony,
Poet! mine tremble as they crave
A word alone with thee.
Thy songs melt on the vibrant air,
The wild birds know them, and the wind;
The common light hath claim on them,
The common heart and mind.
And air, and light, and wind, shall be
Thy fellow-singers, while they say
How seventy years of music stir
The common pulse to-day.
Hush, sweetest songs! Mine ears are deaf
To all of ye save only one.
Blind are the eyes that turn the leaf
Against the Autumn sun.
Oh, blinder once were fading eyes,
Close folded now from shine and rain,
And duller were the dying ears
That heard the chosen strain.
Stay, solemn chant! 'T is mine to sing
Your notes alone below the breath.
'T is mine to bless the poet who
Can bless the hour of death.
For once a spirit 'sighed for home,'
A 'longed-for light whereby to see,'
And 'wearied,' found the way to them,
O Christian seer, through thee!
Passed-with thy words on paling lips,
Passed-with thy courage to depart;
Passed-with thy trust within the soul,
Thy music in the heart.
Oh, calm above our restlessness,
And rich beyond our dreaming, yet
In heaven, I know, one owes to thee
A glad and grateful debt.
From it may learn some tenderer art,
May find and take some better way
Than all our tenderest and best,
To crown thy life to-day.
Congratulation
You told the story of your love;
I heard as one who did not hear;
Across the opening lips of hope
Crept the slow finger of a fear.
Against the kind deceit which hides
From love's beginning all love's end,
In thoughtful mood I boldly lift
The honest trouble of a friend.
You 've chosen thus: not thus, indeed,
I would have chosen fate for you,
And if you missed the possible
And for the sweet had lost the true;
If 'neath the perfect palm of love
You might have knelt,-in kneeling, blest,-
And if you chose instead to wear
A little rose upon your breast;
If, for the tidal wave of life
Mistook a little ripple blue,
While fathoms deep below your line
The sea's lost treasures sleep for you;
Why, then, what then? You 've only missed
A wealth your calm eyes never saw.
Be fate and nature kind to you,
Yourself unto yourself your law!
No Moses ever part for you
The wonders of the deep's rich gloom!
Nor ever lead, the dry sands o'er,
Into the long-lost palm-land's bloom!
Ah! never, never may you know,
For little waves trip merrily;
And never, never may you know,
For sweet the little roses be.
And should my doubts and dreams be both
Blindfold, as dreams and doubts may be;
Should love's unwisdom truer prove
To you than my wise fears to me;
Since God's own purpose over ours
Is folded softly like a wing,
And love's best knowledge to love's self
Must own, I know not anything!
Why then-ah! then. Go you his ways,
Not mine. His is the summer sea,
On which the little waves shall trip;
And his the little roses be.
But if into one lot there came
(As into one I haply knew)
The flower's scent, the forest's strength,
The depth's reserve, the ripple's hue;
If it fell out to Heaven's mind
To give one both the sweet and true,-
Though Heaven asked it back again,-
That lost lot I 'd not change with you.
At The Party
Half a dozen children
At our house!
Half a dozen children
Quiet as a mouse,
Quiet as a moonbeam,
You could hear a pin-
Waiting for the party
To begin.
Such a flood of flounces!
(Oh dear me!)
Such a surge of sashes
Like a silken sea.
Little eyes demurely
Cast upon the ground,
Little airs and graces
All around.
High time for that party
To begin!
To sit so any longer
Were a sort of sin;
As if you were n't acquainted
With society.
What a thing to tell of
That would be!
Up spoke a little lady
Aged five;
'I 've tumbled up my over-dress,
Sure as I'm alive!
My dress came from Paris;
We sent to Worth for it;
Mother says she calls it
Such a fit!'
Quick there piped another
Little voice-
'I did n't send for dresses,
Though I had my choice;
I have got a doll that
Came from Paris too;
It can walk and talk as
Well as you!'
Still, till now, there sat one
Little girl;
Simple as a snow-drop,
Without flounce or curl.
Modest as a primrose,
Soft, plain hair brushed back,
But the color of her dress was
Black-all black.
Swift she glanced around with
Sweet surprise;
Bright and grave the look that
Widened in her eyes.
To entertain the party
She must do her share,
As if God had sent her
Stood she there;
Stood a minute, thinking,
With crossed hands
How she best might meet the
Company's demands.
Grave and sweet the purpose
To the child's voice given:-
'I have a little brother
Gone to Heaven!'
On the little party
Dropped a spell;
All the little flounces
Rustled where they fell;
But the modest maiden
In her mourning gown,
Unconscious as a flower,
Looketh down.
Quick my heart besought her,
Silently.
'Happy little maiden,
Give, O give to me
The highness of your courage,
The sweetness of your grace,
To speak a large word, in a
Little place.'
The Lost Winter
Deep-hearted as an untried joy
The warm light blushes on the bay,
And placid as long happiness
The perfect sky of Florida.
Silent and swift the gulls wheel by,-
Fair silver spots seen flittingly
To sparkle like lost thoughts, and dip
And vanish in a silver sea.
And green with an immortal spring
The little lonely islands stand;
And lover-like, the winds caress
The fresh-plucked roses in my hand.
And sweet with all the scents of June,
And gentle with the breath of May,
And passionate with harvest calm,
Dawns the strange face of Christmas-day.
O vanished world of ache and chill!
If purple-cold the shadows blow
Somewhere upon the shrunken cheeks
Of wan, tormented drifts of snow;
And if, beneath the steady stare
Of a pale sunset's freezing eye,
The coming tempest, lurking, stabs
The lonely traveller hurrying by,-1
What art can make me understand?
What care I, can I care to know?
Star-like, among the tender grass,
The little white wild-flowers show!
There is no winter in the world!
There is no winter anywhere!
Earth turns her face upon her arm,
And sleeps within the golden air.
If once within the story told-
Of peace or pain, of calm or strife-
The clear revealéd sequencés
Of every finished human life,
It chanceth that the record reads:
This wanderer, something torn and tossed
By certain storms he had passed through,
And something faint and chilly, lost
Just here a little while the sense
Of winter from his heavy heart,
And felt within his life the roots
Of spring eternal stir and start;
Could not one blessed little while,
For very happiness, believe
That anywhere upon God's earth
Souls could be cold and worn and live,-
That blessed once a glory were
Enough, I think, to crown one's days.
O swift-departing days of youth,
Lend me your evanescent grace
Of fancy, while my graver years
Like happy children rise and bless
The shadow of the memory of
Love's sweet and helpless selfishness!
Ah, many, many years shall learn
To blush and bloom as young years may,
But only once the soul forget
All else but its own Florida!
A Woman's Mood
Because you cannot pluck the flower,
You pass the sweet scent by;
Because you cannot have the stars
You will not see the sky
No matter what the fable means
Put into English speech;
No matter what the thing may be
You long for, out of reach.
'T is out of reach, and that 's enough
For you and me for aye,
And understood in that still speech
That souls interpret by.
The 'little language' of a look,
A tone, a turn, a touch,
An eloquence that while it speaketh
Nothing, yet sayeth much.
Suppose that in some steadfast hour
I offered you the hand
Of a woman's faithful friendliness-
Ah, hush! I understand.
I spare you speech, to spare you pain;
Perhaps I 'd spare you more
Than men are made to comprehend,
If, as I said before,
I held to you that open hand,
And you should turn away
I hardly know which one of us
Were hurt the worse that day.
I hardly know the reason why,
But women are so made;
I could not give a man a rose
To see it 'neath his tread.
Although he trod on it, indeed,
To save his very soul
From stifling in the thoughts of me
Its sweetness might enroll.
I 'd rather he should gather it
Within his trembling hand
As sacredly as twilight takes
The shapes of sea and land,
And solemnly as twilight learns,
In lonely, purple state,
Upon the hills the sun has fled
To bide its time, and wait.
For what?-to wait for what, you ask?
I cannot tell, indeed,
For what. I do not know for what.
It is the woman's creed!
I only know I 'd wait, and keep
Steel-loyal and steel-true
Unto the highest hope I held,
Though 't were the saddest, too.
Unto the deepest faith I had
In a created thing;
Unto the largest love I knew,
Though love's delight took wing
And fled away from me, and left
Love's dear regret alone.
The chrism of loving all I could,
And loving only one.
I think the woman I preferred-
If I were such a man-
Might lean out helpfully across
My life's imperfect plan;
Might lend me mercy, grace, and peace
In fashion womanly,
Although I knew her rarest smile
Would never shine on me;
I think I 'd say right manfully,-
And so it all would end,-
Than any other woman's love,
I 'd rather be her friend!
And take the hand she dared not hold,
Before its courage slips,
And take the word she could not speak
From off her grieving lips,
And be to her heart what I could
(We will not mark the line),
And, like a comrade, call her soul
To walk in peace with mine.
A nobler man for that grave peace,
I think, dear friend, I were,
And richer were I than to lose
My love in losing her.
And if I speak a riddle, sir,
That on your fancy jars,-
You know we're talking about flowers,
And thinking about stars!
Only A Chromo
A blessing on the Art that dares
(Cold critic, call it what you may!)
Bring precious things to common homes;
A blessing fall on it, I say!
Like Heaven's happy rain, that loves
Upon the just and unjust to fall;
Th' impartial shelter of the skies,
Or sun's heart beating warm for all;
So be it Art's high privilege
To hold a language and a speech
With humble needs; to lay its gifts-
And gladly-in the common reach.
So be it Art's insignia
Of undisputed royalty,
That out of largeness groweth love,
And out of choiceness, charity.
There is my picture, caught and throned
Within four walls for me at last;
My eyes, which never thought to see
Fit semblance of her, hold her fast.
Murillo's Mary! that one face
We call the Immaculate. Ah, see
How goddess-like she fills the room,
How woman-like she leans to me.
I would not garner in my home,
I could not gather to my heart,
A dim gray mockery of that face
Chilled under the engraver's art.
These human colors deepen, glow;
This human flesh will palpitate;
These human eyes,-like human eyes
Alight, alive,-stir, watch, and wait.
Perhaps you wonder why I chose
This single-windowed little room
Where only at the evenfall,
A moment's space, the sunlight's bloom
Shall open out upon the face
I prize so dear; I think, indeed,
There 's something of a whim in that,
And something of a certain need
I could not make you understand,
That solitude or sickness gives
To take in somewhat solemn guise
The blessings that enrich our lives.
I like to watch the late, soft light,-
No spirit could more softly come,-
The picture is the only thing
It touches in the darkening room.
I wonder if to her indeed,
The maiden of the spotless name,
In holier guise or tenderer touch
The annunciating angel came.
Madonna Mary! Here she lives!
See how my sun has wrapped her in!
O solemn sun! O maiden face!
O joy that never knoweth sin!
How shall I name thee? How express
The thoughts that unto thee belong?
Sometimes a sigh interprets them,
At other times, perhaps, a song.
More often still it chanceth me
They grow and group into a prayer
That guards me down my sleepless hours,
A sentry on the midnight air.
But when the morning's monotone
Begins of sickness or of pain,
They catch the key, and, striking it,
They turn into a song again.
Great Master, whose enraptured eyes
Saw maiden Mary's holy face,
Whose human hand could lift and move
An earthly passion from its place,
And set therein the spotless shape
Which Heavenly love itself might wear,
And set thereon the dazzling look
Which Heavenly purity must bear;
Thy blessing on the Art must fall
(If thou couldst speak as thou canst see)
Which brings thy best to common homes,
Thy mighty picture unto me.
That Never Was On Sea Or Land
I dreamed that same old dream again last night;
You know I told you of it once, and more:
The sun had risen, and looked upon the sea,
And turned his head and looked upon the shore,
As if he never saw the world before.
What mystic, mythic season could it be?
It was October with the heart of May.
How count they time within love's calendar?
Dreaming or waking, I can only say
It was the morning of our wedding-day.
I only know I heard your happy step,
As I sat working on my wedding-day
Within my usual place, my usual task;
You came and took the pen, and laughing, 'Nay!'
You said, 'no more this morning! Come away!'
And I, who had been doing dreamily
Within my dream some fitful thing before,
(My pen and I were both too tired to stop,)
Drew breath,-dropped all my work upon the floor,
And let you lead me mutely to the door,
And out into a place I never saw,
Where little waves came shyly up and curled
Themselves about our feet; and far beyond
As eye could see, a mighty ocean swirled.
'We go,' you said, 'alone into the world.'
But yet we did not go, but sat and talked
Of usual things, and in our usual way;
And now and then I stopped myself to think,-
So hard it is for work-worn souls to play,-
Why, after all it is our wedding-day!
The fisher-folk came passing up and down,
Hither and thither, and the ships sailed by,
And busy women nodded cheerily;
And one from out a little cottage came,
With quiet porches, where the vines hung high,
And wished us joy, and 'When you're tired,' she said,
'I bid you welcome; come and rest with me.'
But she was busy like the rest, and left
Us only out of all the world to be
Idle and happy by the idle sea.
And there were colors cast upon the sea
Whose names I know not, and upon the land
The shapes of shadows that I never saw;
And faintly far I felt a strange moon stand,-
Yet still we sat there, hand in clinging hand,
And talked, and talked, and talked, as if it were
Our last long chance to speak, or you to me
Or I to you, for this world or the next;
And still the fisherwomen busily
Passed by, and still the ships sailed to the sea.
But by and by the sea, the earth, the sky,
Took on a sudden color that I knew;
And a wild wind arose and beat at them.
The fisherwomen turned a deadly hue,
And I, in terror, turned me unto you,
And wrung my wretched hands, and hid my face.
'O, now I know the reason, Love,' I said,
'We've talked, and talked, and talked the livelong day,
Like strangers, on the day that we were wed;
For I remember now that you were dead!'
I woke afraid: around the half-lit room
The broken darkness seemed to stir and creep;
I thought a spirit passed before my eyes;
The night had grown a thing too dread for sleep,
And human life a lot too sad to weep.
Beneath the moon, across the silent lawn,
The garden paths gleamed white,-a mighty cross
Cut through the shadowed flowers solemnly:
Like heavenly love escaped from earthly dross,
Or heavenly peace born out of earthly loss.
And wild my uncalmed heart went questioning it:
'Can that which never has been ever be?'
The solemn symbol told me not, but lay
As dumb before me as Eternity,
As dumb as you are when you look at me.
Two Faces
'Would I could see!' I heard one say but now,
'The strongest woman and the tenderest man
That ever God had dared put in the world!'
And I, who did not speak, because one can
Tell out one's sweetest secret to the sky
Sometimes with greater ease than one can speak
It at some others to a friend's close ear,
Went up into the gallery of my soul
Silent and smiling and assured, to see
Some pictures that are hung there on the wall,
Whereat my soul and I on leisure days
Sit gazing and sit thirsting by ourselves.
And one there is that looketh down to me
Less like a face than like a star, for when
With closed eyes I would think what it is like
I only can remember that it shines.
But when I turn again to con and learn
Its lineaments like a lesson in my thought,
The forehead has the look that marble has
When it has drawn the sunlight to its heart.
And if St. John had fought the Dragon, then
He might have had perhaps such eyes as that
(But still I do not tell you what the eyes
Are like, nor can I, and I am not sure,
Indeed, that I should tell you if I could).
O, straight they look the world into the face!
And never have they dropped before its gaze,
And never sunk they down abashed, to hide
A glance of which their own light was ashamed.
And if an unclean thing had chanced to step
Into the presence of such eyes, pierced, scorched,
It would have shrunk before their stabs, but ere
It could have risen to flee, it would have dropped,
And cowered moaning in the dust, because
It felt itself a thing they pitied so!
And then the mouth!-I never saw a mouth,
Another one, that seemed to think and feel
At once like this. If haply lips like these
Had found a word for which the whole round earth
Were waiting, while they spoke the word, I think
They 'd quiver most because upon that day
The woman that they loved had touched them,-said,
'Go speak, my lips, and make me proud!'-the most
For that than for the worth of either work or world.
And one there is (across the gallery's width
This picture hangs), a graver face, and touched
A little with a sadness such as that
Which might have fallen on the countenance
Of Esther in the story, when she left
Her throne to perish for her people's sake;
The sadness of a soul bound fast to bear-
Whether by fate or choice it knoweth not-
Within itself the sorrows of a race,
A kind, to which it has no gladder tie
Than the blind old mystery of kin; urged on
By something in its nature like a cry
That will be heard, come life, come death! to lay
Aside the crown, the robe of royalty,
And mediate, a suppliant, for its own.
If she perish, she must perish!-but must go.
Though she perish, let her perish!-let her go.
Soft falls the hair about this other face,
Leaving a shadow like a shadow thrown
By leafless trees upon a snow-drift's brow,
A slender shelter for the dazzling white.
And out from it look steady eyes that hide
Their perfect meaning from the casual gaze,
And out from it there leans a flying smile,
As one smiles turning slowly from the page
In which his heart is left to hear
The sweetest interruption in the world
More languidly than lovingly. I think
You 'd never pause to speculate or guess
Which interruption were the dearer fret
To her, but only what the lesson was
O'er which she bent, and only wonder on
If Esther had a smile like that; and if
Her people, when they saw it, understood
The half of it; and if the King will hold,
As did Ahasuerus in the time
Of old, his sceptre out, and ever call
This unqueened Queen in triumph to her throne.
And if there were on earth a tenderer strength?
Or if there were a stronger tenderness?
What matters it to me? for now behold!
That gallery in my longing soul is full,
And God himself came up and shut the door.
The Poet And The Poem
Upon the city called the Friends'
The light of waking spring
Fell vivid as the shadow thrown
Far from the gleaming wing
Of a great golden bird, that fled
Before us loitering.
In hours before the spring, how light
The pulse of heaviest feet!
And quick the slowest hopes to stir
To measures fine and fleet.
And warm will grow the bitterest heart
To shelter fancies sweet.
Securely looks the city down
On her own fret and toil;
She hides a heart of perfect peace
Behind her veins' turmoil-
A breathing-space removed apart
From out their stir and soil.
Our reverent feet that golden day
Stood in a quiet place,
That held repressed-I know not what
Of such a poignant grace
As falls, if dumb with life untold,
Upon a human face.
To fashion silence into words
The softest, teach me how!
I know the place is Silence caught
A-dreaming, then and now.
I only know 't was blue above,
And it was green below.
And where the deepening sunshine found
And held a holy mood,
Lowly and old, of outline quaint,
In mingled brick and wood,
Clasped in the arms of ivy vines
A nestling cottage stood:
A thing so hidden and so fair,
So pure that it would seem
Hewn out of nothing earthlier
Than a young poet's dream,
Of nothing sadder than the lights
That through the ivies gleam.
'Tell me,' I said, while shrill the birds
Sang through the garden space,
To her who guided me-'tell me
The story of the place.'
She lifted, in her Quaker cap,
A peaceful, puzzled face,
Surveyed me with an aged, calm,
And unpoetic eye;
And peacefully, but puzzled half,
Half tolerant, made reply:
'The people come to see that house-
Indeed, I know not why,
'Except thee know the poem there-
'T was written long since, yet
His name who wrote it, now-in fact-
I cannot seem to get-
His name who wrote that poetry
I always do forget.
'Hers was Evangeline; and here
In sound of Christ Church bells
She found her lover in this house,
Or so I 've heard folks tell.
But most I know is, that 's her name,
And his was Gabriel.
'I 've heard she found him dying, in
The room behind that door,
(One of the Friends' old almshouses,
Perhaps thee 've heard before
Perhaps thee 've heard about her all
That I can tell, and more.
'Thee can believe she found him here,
If thee do so incline.
Folks have their fashions in belief-
That may be one of thine.
I'm sure his name was Gabriel,
And hers Evangeline.'
She turned her to her common work
And unpoetic ways,
Nor knew the rare, sweet note she struck
Resounding to your praise,
O Poet of our common nights,
And of our care-worn days!
Translator of our golden mood,
And of our leaden hour!
Immortal thus shall poet gauge
The horizon of his power.
Wear in your crown of laurel leaves,
The little ivy flower!
And happy be the singer called
To such a lofty lot!
And ever blessed be the heart
Hid in the simple spot
Where Evangeline was loved and wept,
And Longfellow forgot.
O striving soul! strive quietly,
Whate'er thou art or dost,
Sweetest the strain, when in the song
The singer has been lost;
Truest the work, when 't is the deed,
Not doer, counts for most!
The shadow of the golden wing
Grew deep where'er it fell.
The heart it brooded over will
Remember long and well
Full many a subtle thing, too sweet
Or else too sad to tell.
Forever fall the light of spring
Fair as that day it fell,
Where Evangeline, led by your voice,
O solemn Christ Church bell!
For lovers of all springs, all climes,
At last found Gabriel.
Petronilla
Of Peter's daughter, it is said, men told,
While yet she breathed, a tale as sad as life,
As sweet as death; which, now she sleeps, has lent
The borrower Time its lighter tints, and holds
Only the shadowed outline of a grief
Before our eyes.
Thus much remains. She lived,
Yet lived not; breathed, yet stifled; ate, but starved;
The ears of life she had, but heard not; eyes,
But saw not; hands, but handled neither bud
Nor fruit of joy: for the great word of God,
In some dim crevice of eternal thought
Which he called Petronilla, had gone forth
Against her-for her-call it what we may,
And, bending to his will unerringly,
As bends the golden feather of the grain
Before the footsteps of the mailed west-wind,
Since childhood she had lain upon her bed
In peace and pain, nor had ever raised her body
Once to its young lithe length, to view the dawn
Of all her young lithe years, nor had once laid
Her little feverish feet upon the face
Of the cool, mocking, steadfast floor which laughed
When other girls, with other thinking done
Some time in Heaven about their happy names,-
Set like a song about their happy names,-
Tripped on it like a trill.
As one may see
Upon the hushed lips of a Sabbath-day
A church door sliding softly as a smile,
To let the solemn summer sunshine in
To dream upon, but neither guess nor tell
The dusky week-day secrets which the dome
Whispers the darkened niches and the nave,
Where in the purple silence which they love
The marble angels sleep, or weep, or sing,
(Who knoweth what they do on Monday mornings?)
So slides the tale on Petronilla, left
Upon a certain dull, wan day alone,
Her face turned on her pillow to the room
Wherein the wise and faithful met (for faith
With wisdom married then; none forbid the banns
Within the temple of the hearts of men),
To break their bread with Peter, and discourse
Of all the sacred, secret things; the hopes,
The fears, the solemn ecstasies, and dreams,
And deeds, which held life in the arms of death,
For the first namers of the name of Christ.
And lying there, at rest, adream, asleep,
She scarce could tell her state, so dim it was,
Such lifeless reflex of the hueless day,
A voice struck Petronilla,-Peter's voice,
Solemn and mighty as a lonely wave
Upon an untrod shore. 'O brethren, hark!
Ye know not what ye say; your minds are dark.
O ye of little faith, I show you then!
By his great power I show you. Watch with me,
For he is here. Abase your heads; he lives;
It is his will I do his will, and show
The power of God in that he once hath lived
And died, but lives to work his glory still,-
To work his wish, unargued, undisturbed,
Without resistance or appeal or blame,
Upon the creature which his hands have made.
Were it his choice to raise yon maiden now
From out the coffin of her bed, and bid
Her step,-or live; it means the same,-what then?
Is that too much for him to do? What now?
Is that too hard? Increase your faith! Behold!'
Awake, asleep, adream, or all, or none,
What ailéd Petronilla? The world spun
Like a frail spindle in a woman's hands.
And all her breath went from her, and her sight,
At the faint fancy of her father, still,
Alone, alight within the room; as solemn
And sad and glad as had a vision been
Of a choice taper set to spend itself,
And blaze and waste upon an altar's brow,
Not taught nor knowing wherefore,-burning out,
Since that 's a taper's nature, and enough.
And faint the fancy of his face, if his
It were. And faint the fancy of his voice,
Which lost its way, so Petronilla thought,
Or twice or thrice, before it bridged the bit
Of fanciful, faint sunlight which crawled in
Between his pitying, awful face and hers,
And 'Petronilla,' sighing softly, said,
And 'Petronilla!' ringing cried, 'Arise!
'Now, in the name of Christ who lived for thee,
I bid thee live, and rise, and walk!'
Erect,
Unaided, with a step of steel, she rose.
What should she do but rise? And walked; how else?
For God had said it, sent it, dropped it down,
The sweetest, faintest fancy of her life.
And fancying faintly how her feet dropped far
Below the dizzy dancing of her eyes,
Adown the listening floor; and fancying
How all the rising winds crept mutely up
The court, and put their arms around her neck
For joy; and how for joy the sun broke through
The visor which the envious day had held
Across his happy face, and kissed her hair;
And fancying faintly how those men shrank back,
And pulled their great gray beards at sight of her,
And nodded, as becometh holy men,
Approvingly, at wonders, as indeed
They 'd bade her walk themselves,-so musingly,
As she had been a fancy of herself,
She found herself live, warm and young, within
The borders of the live, warm world.
But still,
As faintly as a fancy fell the voice
Of Peter: 'Serve us, daughter, at the board.'
And dimly as a fancy served she them,
And sweetly as a fancy to and fro
Across the gold net of the lightening day
She passed and paused.
Caught in its meshes fast;
Tangled into the happy afternoon,
Tangled into the sense of life and youth,
Blind with the sense of motion, leap of health,
And wilderness of undiscovered joy,
Stood Petronilla. Down from out her hand
A little platter dropped, and down upon
Her hands her face dropped, broken like the ware
Of earth that sprinkled all the startled floor,
And down upon her knees her face and hands
Fell, clinging to each other; crouching there
At Peter's feet,-her father's feet,-she gave
One little, little longing cry,-no more;
And like the fancy of a cry,-so faint;
And like the angel of a cry,-so brave.
For Peter's face had lifted like the heavens,
Above the presence of the holy men,
Above the maiden serving in the sun,
Above-God help him!-God's own princely gift,
The pity which a father bears his child.
And far and calm as heaven is shone his smile,
And far and still as heaven is fell his voice,
Yet held a cadence like a prisoned pain,
As one twice-wrecked upon the same bare shore.
'The Lord hath chosen Petronilla. Hearken!
Whom he will choose, he chooseth: some to honor,
Some to dishonor; this to be and bear,
And that to dare and do; these bear his swords,
And these his chains. Nay, but, O man! what then?
Who art thou that shalt mould the mood of God,
Or search his meaning, or defy his will?
On Petronilla he will work his power.
O, what is Petronilla? What am I?
Nay, nay, my child, I tremble; this is wrong.
Thou moanest; that is strange, for he is here
To show his glory on thy young, bent head,
And little smile and hands. O, lift them up
Before him, while I speak the word he sent.
For, by the love of him who died for thee,
Commandment comes; and I must bid thee turn
And lay thee down upon thy patient bed
Again; for what am I, and what art thou?
So turn and lay thee down. Behold it, Lord!
'T is finished, Master! Petronilla, go.
God's hand is on thee, O my child; God's grace
Go with thee. Brethren, see! His will is done,
And shall be done upon us evermore.'
And there the wonder fell, so runs the tale;
For Petronilla turned her dumb as death,
And laid her down upon her empty bed,
Where a long sunbeam warm as life had curled;
And crept within it, white as sifted snow,
Nor ever raised her slender length again,
Nor ever dropped her foot upon the floor,
Nor ever felt the winds from up the court
Weave arms about her neck; nor ever found
Herself entangled more within the gold
Warp of the moving, merry world; nor once
Again knew even the pallid happiness
Which comes of serving holy men; nor felt
The leap of life within her shrivelled veins.
And there the legend breaks: what good or ill
Struck arms or folded wings about the heart
Of Petronilla; how fared she, prisoned
Behind the bars of that untragic woe,
The bearing of an old familiar fate
From which long use has rubbed the gilding out,
To which the wonted hours have set themselves
So sorely they can neither smile nor sigh
To think of it, but only drop the lids
Across their leaden eyes for wondering
What a glad chance an unworn grief must be;
What solemn musings marshalled in his mind
Who was the Rock on which Christ built a church
Of such as love nor son nor daughter more
Than him,-we know not; rude our guesses are,
And rough; and mar the shady, sacred hush
Which the raised fingers of the years enforce.
The story slips,-an echo like the voice
Of far-off, falling water yet unseen;
A puzzle, like our next-door neighbor's life;
A lesson which an angel on the wing
Might drop, but linger not to read to us,
Or mark the stint. Each heart steals forth alone
A little after twilight, and takes home
The leaf, the line, appointed unto it.

