Walt Whitman: Poems about Swimming

FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin'd to make illustrious, even if I stand sole
among men;
From my own voice resonant--singing the phallus,
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow's song, (O resistless yearning!
O for any and each, the body correlative attracting!
O for you, whoever you are, your correlative body! O it, more than
all else, you delighting!) 10
--From the hungry gnaw that eats me night and day;
From native moments--from bashful pains--singing them;
Singing something yet unfound, though I have diligently sought it,
many a long year;
Singing the true song of the Soul, fitful, at random;
Singing what, to the Soul, entirely redeem'd her, the faithful one,
even the prostitute, who detain'd me when I went to the city;
Singing the song of prostitutes;
Renascent with grossest Nature, or among animals;
Of that--of them, and what goes with them, my poems informing;
Of the smell of apples and lemons--of the pairing of birds,
Of the wet of woods--of the lapping of waves, 20
Of the mad pushes of waves upon the land--I them chanting;
The overture lightly sounding--the strain anticipating;
The welcome nearness--the sight of the perfect body;
The swimmer swimming naked in the bath, or motionless on his back
lying and floating;
The female form approaching--I, pensive, love-flesh tremulous,
aching;
The divine list, for myself or you, or for any one, making;
The face--the limbs--the index from head to foot, and what it
arouses;
The mystic deliria--the madness amorous--the utter abandonment;
(Hark close, and still, what I now whisper to you,
I love you---O you entirely possess me, 30
O I wish that you and I escape from the rest, and go utterly off--O
free and lawless,
Two hawks in the air--two fishes swimming in the sea not more lawless
than we;)
--The furious storm through me careering--I passionately trembling;
The oath of the inseparableness of two together--of the woman that
loves me, and whom I love more than my life--that oath
swearing;
(O I willingly stake all, for you!
O let me be lost, if it must be so!
O you and I--what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other, and exhaust
each other, if it must be so:)
--From the master--the pilot I yield the vessel to;
The general commanding me, commanding all--from him permission
taking; 40
From time the programme hastening, (I have loiter'd too long, as it
is;)
From sex--From the warp and from the woof;
(To talk to the perfect girl who understands me,
To waft to her these from my own lips--to effuse them from my own
body;)
From privacy--from frequent repinings alone;
From plenty of persons near, and yet the right person not near;
From the soft sliding of hands over me, and thrusting of fingers
through my hair and beard;
From the long sustain'd kiss upon the mouth or bosom;
From the close pressure that makes me or any man drunk, fainting with
excess;
From what the divine husband knows--from the work of fatherhood; 50
From exultation, victory, and relief--from the bedfellow's embrace in
the night;
From the act-poems of eyes, hands, hips, and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave--and me just as unwilling
to leave,
(Yet a moment, O tender waiter, and I return;)
--From the hour of shining stars and dropping dews,
From the night, a moment, I, emerging, flitting out,
Celebrate you, act divine--and you, children prepared for, 60
And you, stalwart loins.

O to make the most jubilant song!
Full of music-full of manhood, womanhood, infancy!
Full of common employments-full of grain and trees.

O for the voices of animals-O for the swiftness and balance of fishes!
O for the dropping of raindrops in a song!
O for the sunshine and motion of waves in a song!

O the joy of my spirit-it is uncaged-it darts like lightning!
It is not enough to have this globe or a certain time,
I will have thousands of globes and all time.

O the engineer's joys! to go with a locomotive!
To hear the hiss of steam, the merry shriek, the steam-whistle, the
laughing locomotive!
To push with resistless way and speed off in the distance.

O the gleesome saunter over fields and hillsides!
The leaves and flowers of the commonest weeds, the moist fresh
stillness of the woods,
The exquisite smell of the earth at daybreak, and all through the
forenoon.

O the horseman's and horsewoman's joys!
The saddle, the gallop, the pressure upon the seat, the cool
gurgling by the ears and hair.

O the fireman's joys!
I hear the alarm at dead of night,
I hear bells, shouts! I pass the crowd, I run!
The sight of the flames maddens me with pleasure.

O the joy of the strong-brawn'd fighter, towering in the arena in
perfect condition, conscious of power, thirsting to meet his
opponent.

O the joy of that vast elemental sympathy which only the human
soul is capable of generating and emitting in steady and
limitless floods.

O the mother's joys!
The watching, the endurance, the precious love, the anguish, the
patiently yielded life.

O the of increase, growth, recuperation,
The joy of soothing and pacifying, the joy of concord and harmony.

O to go back to the place where I was born,
To hear the birds sing once more,
To ramble about the house and barn and over the fields once more,
And through the orchard and along the old lanes once more.

O to have been brought up on bays, lagoons, creeks, or along the coast,
To continue and be employ'd there all my life,
The briny and damp smell, the shore, the salt weeds exposed at low water,
The work of fishermen, the work of the eel-fisher and clam-fisher;
I come with my clam-rake and spade, I come with my eel-spear,
Is the tide out? I Join the group of clam-diggers on the flats,
I laugh and work with them, I joke at my work like a mettlesome
young man;

In winter I take my eel-basket and eel-spear and travel out on foot
on the ice-I have a small axe to cut holes in the ice,
Behold me well-clothed going gayly or returning in the afternoon,
my brood of tough boys accompanying me,
My brood of grown and part-grown boys, who love to be with no
one else so well as they love to be with me,
By day to work with me, and by night to sleep with me.

Another time in warm weather out in a boat, to lift the lobster-pots
where they are sunk with heavy stones, (I know the buoys,)
O the sweetness of the Fifth-month morning upon the water as I row
just before sunrise toward the buoys,
I pull the wicker pots up slantingly, the dark green lobsters are
desperate with their claws as I take them out, I insert
wooden pegs in the ‘oints of their pincers,

I go to all the places one after another, and then row back to the
shore,
There in a huge kettle of boiling water the lobsters shall be boil'd
till their color becomes scarlet.

Another time mackerel-taking,
Voracious, mad for the hook, near the surface, they seem to fill the
water for miles;
Another time fishing for rock-fish in Chesapeake bay, I one of the
brown-faced crew;
Another time trailing for blue-fish off Paumanok, I stand with
braced body,
My left foot is on the gunwale, my right arm throws far out the
coils of slender rope,
In sight around me the quick veering and darting of fifty skiffs, my
companions.

O boating on the rivers,
The voyage down the St. Lawrence, the superb scenery, the steamers,
The ships sailing, the Thousand Islands, the occasional timber-raft
and the raftsmen with long-reaching sweep-oars,
The little huts on the rafts, and the stream of smoke when they cook
supper at evening.

(O something pernicious and dread!
Something far away from a puny and pious life!
Something unproved! something in a trance!
Something escaped from the anchorage and driving free.)

O to work in mines, or forging iron,
Foundry casting, the foundry itself, the rude high roof, the ample
and shadow'd space,
The furnace, the hot liquid pour'd out and running.

O to resume the joys of the soldier!
To feel the presence of a brave commanding officer-to feel his
sympathy!
To behold his calmness-to be warm'd in the rays of his smile!
To go to battle-to hear the bugles play and the drums beat!
To hear the crash of artillery-to see the glittering of the bayonets
and musket-barrels in the sun!

To see men fall and die and not complain!
To taste the savage taste of blood-to be so devilish!
To gloat so over the wounds and deaths of the enemy.

O the whaleman's joys! O I cruise my old cruise again!
I feel the ship's motion under me, I feel the Atlantic breezes
fanning me,
I hear the cry again sent down from the mast-head, There- she
blows!
Again I spring up the rigging to look with the rest- we descend,
wild with excitement,
I leap in the lower'd boat, we row toward our prey where he lies,
We approach stealthy and silent, I see the mountainous mass,
lethargic, basking,
I see the harpooneer standing up, I see the weapon dart from his
vigorous arm;
O swift again far out in the ocean the wounded whale, settling,
running to windward, tows me,
Again I see him rise to breathe, we row close again,
I see a lance driven through his side, press'd deep, turn'd in the
wound,
Again we back off, I see him settle again, the life is leaving him
fast,
As he rises he spouts blood, I see him swim in circles narrower and
narrower, swiftly cutting the water-I see him die,
He gives one convulsive leap in the centre of the circle, and then
falls flat and still in the bloody foam.

O the old manhood of me, my noblest joy of all!
My children and grand-children, my white hair and beard,
My largeness, calmness, majesty, out of the long stretch of my life.

O ripen'd joy of womanhood! O happiness at last!

I am more than eighty years of age, I am the most venerable mother,
How clear is my mind-how all people draw nigh to me!
What attractions are these beyond any before? what bloom more
than the bloom of youth?
What beauty is this that descends upon me and rises out of me?

O the orator's joys!
To inflate the chest, to roll the thunder of the voice out from the
ribs and throat,
To make the people rage, weep, hate, desire, with yourself,
To lead America-to quell America with a great tongue.

O the joy of my soul leaning pois'd on itself, receiving identity
through materials and loving them, observing characters
and absorbing them,
My soul vibrated back to me from them, from sight, hearing, touch,
reason, articulation, comparison, memory, and the like,
The real life of my senses and flesh transcending my senses and
flesh,
My body done with materials, my sight done with my material eyes,
Proved to me this day beyond cavil that it is not my material eyes
which finally see,
Nor my material body which finally loves, walks, laughs, shouts,
embraces, procreates.

O the farmer's joys!
Ohioan's, Illinoisian's, Wisconsinese', Kanadian's, Iowan's,
Kansian's, Missourian's, Oregonese' joys!
To rise at peep of day and pass forth nimbly to work,
To plough land in the fall for winter-sown crops,
To plough land in the spring for maize,
To train orchards, to graft the trees, to gather apples in the fall.

O to bathe in the swimming-bath, or in a good place along shore,
To splash the water! to walk ankle-deep, or race naked along the
shore.

O to realize space!
The plenteousness of all, that there are no bounds,
To emerge and be of the sky, of the sun and moon and flying
clouds, as one with them.

O the joy a manly self-hood!
To be servile to none, to defer to none, not to any tyrant known or
unknown,

To walk with erect carriage, a step springy and elastic,
To look with calm gaze or with a flashing eye,
To speak with a full and sonorous voice out of a broad chest,
To confront with your personality all the other personalities of the
earth.

Know'st thou the excellent joys of youth?
Joys of the dear companions and of the merry word and laughing
face?
Joy of the glad light-beaming day, joy of the wide-breath'd games?
Joy of sweet music, joy of the lighted ball-room and the dancers?
Joy of the plenteous dinner, strong carouse and drinking?

Yet O my soul supreme!
Know'st thou the joys of pensive thought?
Joys of the free and lonesome heart, the tender, gloomy heart?
Joys of the solitary walk, the spirit bow'd yet proud, the suffering
and the struggle?
The agonistic throes, the ecstasies, joys of the solemn musings day
or night?
Joys of the thought of Death, the great spheres Time and Space?
Prophetic joys of better, loftier love's ideals, the divine wife,
the sweet, eternal, perfect comrade?
Joys all thine own undying one, joys worthy thee O soul.

O while I live to be the ruler of life, not a slave,
To meet life as a powerful conqueror,
No fumes, no ennui, no more complaints or scornful criticisms,
To these proud laws of the air, the water and the ground, proving
my interior soul impregnable,
And nothing exterior shall ever take command of me.

For not life's joys alone I sing, repeating-the joy of death!
The beautiful touch of Death, soothing and benumbing a few moments,
for reasons,
Myself discharging my excrementitious body to be burn'd, or render'd
to powder, or buried,
My real body doubtless left to me for other spheres,
My voided body nothing more to me, returning to the purifications,
further offices, eternal uses of the earth.

O to attract by more than attraction!
How it is I know not-yet behold! the something which obeys none
of the rest,
It is offensive, never defensive-yet how magnetic it draws.

O to struggle against great odds, to meet enemies undaunted!
To be entirely alone with them, to find how much one can stand!
To look strife, torture, prison, popular odium, face to face!
To mount the scaffold, to advance to the muzzles of guns with
perfect nonchalance!
To be indeed a God!

O to sail to sea in a ship!
To leave this steady unendurable land,
To leave the tiresome sameness of the streets, the sidewalks and the
houses,
To leave you O you solid motionless land, and entering a ship,
To sail and sail and sail!

O to have life henceforth a poem of new joys!
To dance, clap hands, exult, shout, skip, leap, roll on, float on!
To be a sailor of the world bound for all ports,
A ship itself, (see indeed these sails I spread to the sun and air,)
A swift and swelling ship full of rich words, full of joys.

O TO make the most jubilant poem!
Even to set off these, and merge with these, the carols of Death.
O full of music! full of manhood, womanhood, infancy!
Full of common employments! full of grain and trees.

O for the voices of animals! O for the swiftness and balance of
fishes!
O for the dropping of rain-drops in a poem!
O for the sunshine, and motion of waves in a poem.

O the joy of my spirit! it is uncaged! it darts like lightning!
It is not enough to have this globe, or a certain time--I will have
thousands of globes, and all time.


O the engineer's joys! 10
To go with a locomotive!
To hear the hiss of steam--the merry shriek--the steam-whistle--the
laughing locomotive!
To push with resistless way, and speed off in the distance.

O the gleesome saunter over fields and hill-sides!
The leaves and flowers of the commonest weeds--the moist fresh
stillness of the woods,
The exquisite smell of the earth at day-break, and all through the
forenoon.

O the horseman's and horsewoman's joys!
The saddle--the gallop--the pressure upon the seat--the cool gurgling
by the ears and hair.


O the fireman's joys!
I hear the alarm at dead of night, 20
I hear bells--shouts!--I pass the crowd--I run!
The sight of the flames maddens me with pleasure.

O the joy of the strong-brawn'd fighter, towering in the arena, in
perfect condition, conscious of power, thirsting to meet his
opponent.

O the joy of that vast elemental sympathy which only the human Soul
is capable of generating and emitting in steady and limitless
floods.


O the mother's joys!
The watching--the endurance--the precious love--the anguish--the
patiently yielded life.

O the joy of increase, growth, recuperation;
The joy of soothing and pacifying--the joy of concord and harmony.

O to go back to the place where I was born!
To hear the birds sing once more! 30
To ramble about the house and barn, and over the fields, once more,
And through the orchard and along the old lanes once more.


O male and female!
O the presence of women! (I swear there is nothing more exquisite to
me than the mere presence of women;)
O for the girl, my mate! O for the happiness with my mate!
O the young man as I pass! O I am sick after the friendship of him
who, I fear, is indifferent to me.

O the streets of cities!
The flitting faces--the expressions, eyes, feet, costumes! O I cannot
tell how welcome they are to me.


O to have been brought up on bays, lagoons, creeks, or along the
coast!
O to continue and be employ'd there all my life! 40
O the briny and damp smell--the shore--the salt weeds exposed at low
water,
The work of fishermen--the work of the eel-fisher and clam-fisher.

O it is I!
I come with my clam-rake and spade! I come with my eel-spear;
Is the tide out? I join the group of clam-diggers on the flats,
I laugh and work with them--I joke at my work, like a mettlesome
young man.

In winter I take my eel-basket and eel-spear and travel out on foot
on the ice--I have a small axe to cut holes in the ice;
Behold me, well-clothed, going gaily, or returning in the afternoon--
my brood of tough boys accompaning me,
My brood of grown and part-grown boys, who love to be with no one
else so well as they love to be with me,
By day to work with me, and by night to sleep with me. 50

Or, another time, in warm weather, out in a boat, to lift the
lobster-pots, where they are sunk with heavy stones, (I know
the buoys;)
O the sweetness of the Fifth-month morning upon the water, as I row,
just before sunrise, toward the buoys;
I pull the wicker pots up slantingly--the dark-green lobsters are
desperate with their claws, as I take them out--I insert wooden
pegs in the joints of their pincers,
I go to all the places, one after another, and then row back to the
shore,
There, in a huge kettle of boiling water, the lobsters shall be
boil'd till their color becomes scarlet.

Or, another time, mackerel-taking,
Voracious, mad for the hook, near the surface, they seem to fill the
water for miles:
Or, another time, fishing for rock-fish, in Chesapeake Bay--I one of
the brown-faced crew:
Or, another time, trailing for blue-fish off Paumanok, I stand with
braced body,
My left foot is on the gunwale--my right arm throws the coils of
slender rope, 60
In sight around me the quick veering and darting of fifty skiffs, my
companions.


O boating on the rivers!
The voyage down the Niagara, (the St. Lawrence,)--the superb
scenery--the steamers,
The ships sailing--the Thousand Islands--the occasional timber-raft,
and the raftsmen with long-reaching sweep-oars,
The little huts on the rafts, and the stream of smoke when they cook
their supper at evening.

O something pernicious and dread!
Something far away from a puny and pious life!
Something unproved! Something in a trance!
Something escaped from the anchorage, and driving free.

O to work in mines, or forging iron! 70
Foundry casting--the foundry itself--the rude high roof--the ample
and shadow'd space,
The furnace--the hot liquid pour'd out and running.


O to resume the joys of the soldier:
To feel the presence of a brave general! to feel his sympathy!
To behold his calmness! to be warm'd in the rays of his smile!
To go to battle! to hear the bugles play, and the drums beat!
To hear the crash of artillery! to see the glittering of the bayonets
and musket-barrels in the sun!
To see men fall and die, and not complain!
To taste the savage taste of blood! to be so devilish!
To gloat so over the wounds and deaths of the enemy. 80


O the whaleman's joys! O I cruise my old cruise again!
I feel the ship's motion under me--I feel the Atlantic breezes
fanning me,
I hear the cry again sent down from the mast-head--There--she blows!
--Again I spring up the rigging, to look with the rest--We see--we
descend, wild with excitement,
I leap in the lower'd boat--We row toward our prey, where he lies,
We approach, stealthy and silent--I see the mountainous mass,
lethargic, basking,
I see the harpooneer standing up--I see the weapon dart from his
vigorous arm:
O swift, again, now, far out in the ocean, the wounded whale,
settling, running to windward, tows me;
--Again I see him rise to breathe--We row close again,
I see a lance driven through his side, press'd deep, turn'd in the
wound, 90
Again we back off--I see him settle again--the life is leaving him
fast,
As he rises, he spouts blood--I see him swim in circles narrower and
narrower, swiftly cutting the water--I see him die;
He gives one convulsive leap in the centre of the circle, and then
falls flat and still in the bloody foam.


O the old manhood of me, my joy!
My children and grand-children--my white hair and beard,
My largeness, calmness, majesty, out of the long stretch of my life.

O the ripen'd joy of womanhood!
O perfect happiness at last!
I am more than eighty years of age--my hair, too, is pure white--I am
the most venerable mother;
How clear is my mind! how all people draw nigh to me! 100
What attractions are these, beyond any before? what bloom, more than
the bloom of youth?
What beauty is this that descends upon me, and rises out of me?

O the orator's joys!
To inflate the chest--to roll the thunder of the voice out from the
ribs and throat,
To make the people rage, weep, hate, desire, with yourself,
To lead America--to quell America with a great tongue.

O the joy of my soul leaning pois'd on itself--receiving identity
through materials, and loving them--observing characters, and
absorbing them;
O my soul, vibrated back to me, from them--from facts, sight,
hearing, touch, my phrenology, reason, articulation,
comparison, memory, and the like;
The real life of my senses and flesh, transcending my senses and
flesh;
My body, done with materials--my sight, done with my material
eyes; 110
Proved to me this day, beyond cavil, that it is not my material
eyes which finally see,
Nor my material body which finally loves, walks, laughs, shouts,
embraces, procreates.


O the farmer's joys!
Ohioan's, Illinoisian's, Wisconsinese', Kanadian's, Iowan's,
Kansian's, Missourian's, Oregonese' joys;
To rise at peep of day, and pass forth nimbly to work,
To plow land in the fall for winter-sown crops,
To plough land in the spring for maize,
To train orchards--to graft the trees--to gather apples in the fall.

O the pleasure with trees!
The orchard--the forest--the oak, cedar, pine, pekan-tree, 120
The honey-locust, black-walnut, cottonwood, and magnolia.


O Death! the voyage of Death!
The beautiful touch of Death, soothing and benumbing a few moments,
for reasons;
Myself, discharging my excrementitious body, to be burn'd, or
render'd to powder, or buried,
My real body doubtless left to me for other spheres,
My voided body, nothing more to me, returning to the purifications,
further offices, eternal uses of the earth.


O to bathe in the swimming-bath, or in a good place along shore!
To splash the water! to walk ankle-deep--to race naked along the
shore.

O to realize space!
The plenteousness of all--that there are no bounds; 130
To emerge, and be of the sky--of the sun and moon, and the flying
clouds, as one with them.

O the joy of a manly self-hood!
Personality--to be servile to none--to defer to none--not to any
tyrant, known or unknown,
To walk with erect carriage, a step springy and elastic,
To look with calm gaze, or with a flashing eye,
To speak with a full and sonorous voice, out of a broad chest,
To confront with your personality all the other personalities of the
earth.


Know'st thou the excellent joys of youth?
Joys of the dear companions, and of the merry word, and laughing
face?
Joys of the glad, light-beaming day--joy of the wide-breath'd
games? 140
Joy of sweet music--joy of the lighted ball-room, and the dancers?
Joy of the friendly, plenteous dinner--the strong carouse, and
drinking?


Yet, O my soul supreme!
Know'st thou the joys of pensive thought?
Joys of the free and lonesome heart--the tender, gloomy heart?
Joy of the solitary walk--the spirit bowed yet proud--the suffering
and the struggle?
The agonistic throes, the extasies--joys of the solemn musings, day
or night?
Joys of the thought of Death--the great spheres Time and Space?
Prophetic joys of better, loftier love's ideals--the Divine Wife--the
sweet, eternal, perfect Comrade?
Joys all thine own, undying one--joys worthy thee, O Soul. 150


O, while I live, to be the ruler of life--not a slave,
To meet life as a powerful conqueror,
No fumes--no ennui--no more complaints, or scornful criticisms.

O me repellent and ugly!
To these proud laws of the air, the water, and the ground, proving my
interior Soul impregnable,
And nothing exterior shall ever take command of me.

O to attract by more than attraction!
How it is I know not--yet behold! the something which obeys none of
the rest,
It is offensive, never defensive--yet how magnetic it draws.


O joy of suffering! 160
To struggle against great odds! to meet enemies undaunted!
To be entirely alone with them! to find how much one can stand!
To look strife, torture, prison, popular odium, death, face to face!
To mount the scaffold! to advance to the muzzles of guns with perfect
nonchalance!
To be indeed a God!


O, to sail to sea in a ship!
To leave this steady, unendurable land!
To leave the tiresome sameness of the streets, the sidewalks and the
houses;
To leave you, O you solid motionless land, and entering a ship,
To sail, and sail, and sail! 170


O to have my life henceforth a poem of new joys!
To dance, clap hands, exult, shout, skip, leap, roll on, float on,
To be a sailor of the world, bound for all ports,
A ship itself, (see indeed these sails I spread to the sun and air,)
A swift and swelling ship, full of rich words--full of joys.

I SING the Body electric;
The armies of those I love engirth me, and I engirth them;
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the
Soul.

Was it doubted that those who corrupt their own bodies conceal
themselves;
And if those who defile the living are as bad as they who defile the
dead?
And if the body does not do as much as the Soul?
And if the body were not the Soul, what is the Soul?


The love of the Body of man or woman balks account--the body itself
balks account;
That of the male is perfect, and that of the female is perfect. 10

The expression of the face balks account;
But the expression of a well-made man appears not only in his face;
It is in his limbs and joints also, it is curiously in the joints of
his hips and wrists;
It is in his walk, the carriage of his neck, the flex of his waist
and knees--dress does not hide him;
The strong, sweet, supple quality he has, strikes through the cotton
and flannel;
To see him pass conveys as much as the best poem, perhaps more;
You linger to see his back, and the back of his neck and shoulder-
side.

The sprawl and fulness of babes, the bosoms and heads of women, the
folds of their dress, their style as we pass in the street, the
contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through the
transparent green-shine, or lies with his face up, and rolls
silently to and fro in the heave of the water,
The bending forward and backward of rowers in row-boats--the horseman
in his saddle, 20
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open dinner-
kettles, and their wives waiting,
The female soothing a child--the farmer's daughter in the garden or
cow-yard,
The young fellow hoeing corn--the sleigh-driver guiding his six
horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,
good-natured, native-born, out on the vacant lot at sundown,
after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and the under-hold, the hair rumpled over and blinding
the eyes;
The march of firemen in their own costumes, the play of masculine
muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes--the bent head, the curv'd
neck, and the counting; 30
Such-like I love--I loosen myself, pass freely, am at the mother's
breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
the firemen, and pause, listen, and count.


I know a man, a common farmer--the father of five sons;
And in them were the fathers of sons--and in them were the fathers of
sons.

This man was of wonderful vigor, calmness, beauty of person;
The shape of his head, the pale yellow and white of his hair and
beard, and the immeasurable meaning of his black eyes--the
richness and breadth of his manners,
These I used to go and visit him to see--he was wise also;
He was six feet tall, he was over eighty years old--his sons were
massive, clean, bearded, tan-faced, handsome;
They and his daughters loved him--all who saw him loved him;
They did not love him by allowance--they loved him with personal
love; 40
He drank water only--the blood show'd like scarlet through the clear-
brown skin of his face;
He was a frequent gunner and fisher--he sail'd his boat himself--he
had a fine one presented to him by a ship-joiner--he had
fowling-pieces, presented to him by men that loved him;
When he went with his five sons and many grand-sons to hunt or fish,
you would pick him out as the most beautiful and vigorous of
the gang.

You would wish long and long to be with him--you would wish to sit by
him in the boat, that you and he might touch each other.


I have perceiv'd that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is
enough,
To pass among them, or touch any one, or rest my arm ever so lightly
round his or her neck for a moment--what is this, then?
I do not ask any more delight--I swim in it, as in a sea.

There is something in staying close to men and women, and looking on
them, and in the contact and odor of them, that pleases the
soul well; 50
All things please the soul--but these please the soul well.


This is the female form;
A divine nimbus exhales from it from head to foot;
It attracts with fierce undeniable attraction!
I am drawn by its breath as if I were no more than a helpless vapor--
all falls aside but myself and it;
Books, art, religion, time, the visible and solid earth, the
atmosphere and the clouds, and what was expected of heaven or
fear'd of hell, are now consumed;
Mad filaments, ungovernable shoots play out of it--the response
likewise ungovernable;
Hair, bosom, hips, bend of legs, negligent falling hands, all
diffused--mine too diffused;
Ebb stung by the flow, and flow stung by the ebb--love-flesh swelling
and deliciously aching;
Limitless limpid jets of love hot and enormous, quivering jelly of
love, white-blow and delirious juice; 60
Bridegroom night of love, working surely and softly into the
prostrate dawn;
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh'd day.

This is the nucleus--after the child is born of woman, the man is
born of woman;
This is the bath of birth--this is the merge of small and large, and
the outlet again.

Be not ashamed, women--your privilege encloses the rest, and is the
exit of the rest;
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities, and tempers them--she is in her
place, and moves with perfect balance;
She is all things duly veil'd--she is both passive and active;
She is to conceive daughters as well as sons, and sons as well as
daughters. 70

As I see my soul reflected in nature;
As I see through a mist, one with inexpressible completeness and
beauty,
See the bent head, and arms folded over the breast--the female I see.


The male is not less the soul, nor more--he too is in his place;
He too is all qualities--he is action and power;
The flush of the known universe is in him;
Scorn becomes him well, and appetite and defiance become him well;
The wildest largest passions, bliss that is utmost, sorrow that is
utmost, become him well--pride is for him;
The full-spread pride of man is calming and excellent to the soul;
Knowledge becomes him--he likes it always--he brings everything to
the test of himself; 80
Whatever the survey, whatever the sea and the sail, he strikes
soundings at last only here;
(Where else does he strike soundings, except here?)

The man's body is sacred, and the woman's body is sacred;
No matter who it is, it is sacred;
Is it a slave? Is it one of the dull-faced immigrants just landed on
the wharf?
Each belongs here or anywhere, just as much as the well-off--just as
much as you;
Each has his or her place in the procession.

(All is a procession;
The universe is a procession, with measured and beautiful motion.)

Do you know so much yourself, that you call the slave or the dull-
face ignorant? 90
Do you suppose you have a right to a good sight, and he or she has no
right to a sight?
Do you think matter has cohered together from its diffuse float--and
the soil is on the surface, and water runs, and vegetation
sprouts,
For you only, and not for him and her?


A man's Body at auction;
I help the auctioneer--the sloven does not half know his business.

Gentlemen, look on this wonder!
Whatever the bids of the bidders, they cannot be high enough for it;
For it the globe lay preparing quintillions of years, without one
animal or plant;
For it the revolving cycles truly and steadily roll'd.

In this head the all-baffling brain; 100
In it and below it, the makings of heroes.

Examine these limbs, red, black, or white--they are so cunning in
tendon and nerve;
They shall be stript, that you may see them.

Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant back-bone and neck, flesh not flabby,
good-sized arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood!
The same red-running blood!
There swells and jets a heart--there all passions, desires,
reachings, aspirations; 110
Do you think they are not there because they are not express'd in
parlors and lecture-rooms?

This is not only one man--this is the father of those who shall be
fathers in their turns;
In him the start of populous states and rich republics;
Of him countless immortal lives, with countless embodiments and
enjoyments.

How do you know who shall come from the offspring of his offspring
through the centuries?
Who might you find you have come from yourself, if you could trace
back through the centuries?


A woman's Body at auction!
She too is not only herself--she is the teeming mother of mothers;
She is the bearer of them that shall grow and be mates to the
mothers.

Have you ever loved the Body of a woman? 120
Have you ever loved the Body of a man?
Your father--where is your father?
Your mother--is she living? have you been much with her? and has she
been much with you?
--Do you not see that these are exactly the same to all, in all
nations and times, all over the earth?

If any thing is sacred, the human body is sacred,
And the glory and sweet of a man, is the token of manhood untainted;
And in man or woman, a clean, strong, firm-fibred body, is beautiful
as the most beautiful face.

Have you seen the fool that corrupted his own live body? or the fool
that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.


O my Body! I dare not desert the likes of you in other men and women,
nor the likes of the parts of you; 130
I believe the likes of you are to stand or fall with the likes of the
Soul, (and that they are the Soul;)
I believe the likes of you shall stand or fall with my poems--and
that they are poems,
Man's, woman's, child's, youth's, wife's, husband's, mother's,
father's, young man's, young woman's poems;
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eye-brows, and the waking or
sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-
hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the ample
side-round of the chest.

Upper-arm, arm-pit, elbow-socket, lower-arm, arm-sinews,
arm-bones, 140
Wrist and wrist-joints, hand, palm, knuckles, thumb, fore-finger,
finger-balls, finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-
side,
Ribs, belly, back-bone, joints of the back-bone,
Hips, hip-sockets, hip-strength, inward and outward round, man-balls,
man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your
body, or of any one's body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame, 150
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman--and the man that comes from
woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping,
love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sun-burnt shade, freckles, hair,
The curious sympathy one feels, when feeling with the hand the naked
meat of the body,
The circling rivers, the breath, and breathing it in and out, 160
The beauty of the waist, and thence of the hips, and thence downward
toward the knees,
The thin red jellies within you, or within me--the bones, and the
marrow in the bones,
The exquisite realization of health;
O I say, these are not the parts and poems of the Body only, but of
the Soul,
O I say now these are the Soul!

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and
stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!

The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,
The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,
The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,
The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?

The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the
most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.

Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is
beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,
each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and
resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!


I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.

Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.

I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50


He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.

Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen
while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!
Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,
I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.


The cloth laps a first sweet eating and drinking,
Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;
The white teeth stay, and the boss-tooth advances in darkness,
And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70


I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,
I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,
It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,
Whoever is not in his coffin and the dark grave, let him know he has
enough. 80


I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,
His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,
I see his white body--I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of
his middle age?

Steady and long he struggles,
He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,
The slapping eddies are spotted with his blood--they bear him away--
they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90
Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.

The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.

I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.

I search with the crowd--not one of the company is wash'd to us
alive;
In the morning I help pick up the dead and lay them in rows in a
barn. 100


Now of the older war-days, the defeat at Brooklyn,
Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,
His face is cold and damp--he cannot repress the weeping drops,
He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,
He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,
He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,
The officers speechless and slow draw near in their turns,
The chief encircles their necks with his arm, and kisses them on the
cheek,
He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110


Now I tell what my mother told me to-day as we sat at dinner
together,
Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her
face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and
pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd
food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the
afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.


Now Lucifer was not dead--or if he was, I am his sorrowful terrible
heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.


A show of the summer softness! a contact of something unseen! an
amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,
The droves and crops increase, and the barns are well-fill'd.


Elements merge in the night--ships make tacks in the dreams,
The sailor sails--the exile returns home,
The fugitive returns unharm'd--the immigrant is back beyond months
and years,
The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,
They warmly welcome him--he is barefoot again, he forgets he is well
off;
The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,
To every port of England, France, Spain, enter well-fill'd ships,
The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150
The Swede returns, and the Dane and Norwegian return.


The homeward bound, and the outward bound,
The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,
The actor and actress, those through with their parts, and those
waiting to commence,
The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,
The great already known, and the great any time after to-day,
The stammerer, the sick, the perfect-form'd, the homely,
The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,
The laugher and weeper, the dancer, the midnight widow, the red
squaw,
The consumptive, the erysipelite, the idiot, he that is wrong'd, 160
The antipodes, and every one between this and them in the dark,
I swear they are averaged now--one is no better than the other,
The night and sleep have liken'd them and restored them.

I swear they are all beautiful;
Every one that sleeps is beautiful--everything in the dim light is
beautiful,
The wildest and bloodiest is over, and all is peace.


Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;
The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170
It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,
Perfect and clean the genitals previously jetting, and perfect and
clean the womb cohering,
The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.


The Soul is always beautiful,
The universe is duly in order, everything is in its place,
What has arrived is in its place, and what waits is in its place;
The twisted skull waits, the watery or rotten blood waits,
The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,
The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,
The diverse shall be no less diverse, but they shall flow and unite--
they unite now. 180


The sleepers are very beautiful as they lie unclothed,
They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,
The Asiatic and African are hand in hand--the European and American
are hand in hand,
Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,
The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,
The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,
The white hair of the mother shines on the white wrist of the
daughter,
The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,
The scholar kisses the teacher, and the teacher kisses the scholar--
the wrong'd is made right,
The call of the slave is one with the master's call, and the master
salutes the slave, 190
The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,
The sweatings and fevers stop--the throat that was unsound is sound--
the lungs of the consumptive are resumed--the poor distress'd
head is free,
The joints of the rheumatic move as smoothly as ever, and smoother
than ever,
Stiflings and passages open--the paralyzed become supple,
The swell'd and convuls'd and congested awake to themselves in
condition,
They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.

Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so
long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.